descroissants:

Love in the Afternoon (Éric Rohmer, 1972)
You only demand clarity because you’re too comfortable within your vagueness; You only feel insufficient because you’re extremely fearful of unconditionally caring.
Albert Camus, from Notebooks, 1951-1959 (via violentwavesofemotion)

(via the-messenger-of)



nevver:

Show yourself
likeafieldmouse:

Michael Borremans - One (2005)
When nobody else celebrates you, learn to celebrate yourself. When nobody else compliments you, then compliment yourself. It’s not up to other people to keep you encouraged. It’s up to you. Encouragement should come from the inside.
Joel Osteen  (via rabbitinthemoon)

billowy:

Mia Farrow in The Great Gatsby (1974)
art-library:

Edgar Degas, Interior (The Rape), 1869.
From WikiPaintings:

Also known as The Rape, this painting has posed a conundrum for art historians since its creation. During the time it was painted, Degas was known for historical paintings or those with a literary influence, but no such influence or historical story can be related Interior. The most wide agreement is that the painting refers to a scene in the novel Therese Raquin, by Emile Zola, published in 1867. It is referred to as one of the most dramatic and theatrical of all of Degas’ compositions, as the items in the room are placed almost as props and the depiction of the characters had a stage-like, theatrical quality.

weissewiese:

“We were not lovers, we were love.”

Jeanette Winterson

(via baby--land)

flosvitae:

Miguel A. Cuesta
It’s just so strange.
You used to love me,
and now you’re a stranger
who happens to know all
of my secrets.
Clementine von Radics (via perfect)

(Source: clementinevonradics, via -fenris)



artforadults:

Clare Elsaesser
artforadults:

Clare Elsaesser
artforadults:

Clare Elsaesser
artforadults:

Clare Elsaesser